videomedeja 2016

1989

Francesca Mazzoleni 1989, 30 min, Dolby SR, Italy, 2015 Francesca Mazzoleni (Catania, 1989) is an italian film-maker and photographer. She graduated in 2015 in direction at CSC with 1989 . She works in Rome and Berlin. She made Il Premio (short, 2015); The Empty boat (videoclip, 2014); Sbarre doc. 2014 with students CSC; “Schönhauser Allee” […]

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Introducing the Artist

Miodrag Milošević Introducing the Artist, 60 min, Serbia, 2016 I BI VEČE, I BI JUTRO, DAN SEDMI, 7 min, Super 8, kolor, 1975. feature POSLEDNJI TANGO U PARIZU, 20 min, 16 mm, c/b, 1983. (Verzija 6 min), experimental SVETI JOVAN LETNJI (u selu Plešin na Goliji), 15 min, S-VHS / Beta SP, kolor, 1996, documentary PEJSAŽI U […]

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Miodrag Milošević

Born in 1951 in Belgrade. He graduated at the Faculty of Dramatic Arts in Belgrade, Department of film and television camera in 1985. From 1976 he regulate the programs of avant-garde film and video art at the Academic Film Center “Studentski grad”. Since 1982, conceived and edited festival ALTERNATIVE FILM-VIDEO. He has directed short experimental and […]

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To catch a thief

Volker Schreiner To catch a thief, 60 min, Germany, 2016 COUNTER 2004 length: 6 min 30 sec color/ bw mono no dialogues aspect ratio 4:3 “A hilarious montage of movies, both classic and obscure, creates a rapid-fire countdown.” (“Outstanding Short Films from International Festivals”, Museum of Modern Art New York) “Exciting found footage filmed made […]

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Volker Schreiner

born 1957/ since 1988 video works/ presentations at festivals a.o. in Berlin, Oberhausen, Rotterdam, Vila do Conde, Paris, Brussels, Madrid, Rome, New York, Montréal, Tokyo, Sydney, Buenos Aires/ lectureships at the HfG Karlsruhe and the HBK Braunschweig, visiting professor at the HBK Braunschweig and the Johannes Gutenberg-University Mainz/ lectures, workshops and seminars a.o. Goethe institutes […]

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Video izložba: I pre i posle i sada

Čedomir Vasić Video Exhibition: Before, after and now, 45 min, Serbia, 2016 A compilation of video works and records created in the period from 1974 till 2013, refers to different aspects of his dealing with video as an expressive means from the standpoint of personal testimony in an ever changing historical circumstances.    

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