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2004, specialLive search( total items: 6 )
Works of students from the Academy of Arts in Novi SadDina Stipić, Endre Ajandi: Coraline 2004, RS, 01:00 Saša Ilić: Master 2004, RS, 03:00 Miloš Pušić: Tag 2004, RS, 07:35 Mirko Žarković: Intro 01 2004, RS, 00:20 Živa Stanojević: Colt Play 2004, RS, 00:20
WRO 03 Globalica
The selection of video art works from the agenda of the 10th International Media Art Biennale WRO 03. | PL,
WRO International Media Art Biennale is a major manifestation of new media art in Poland and Central Europe. Since its first edition in 1989 WRO has been representing art heading away from mass culture towards dis-massed one created by contemporary means of artistic creation and communication. Initially as Sound Basis Visual Art Festival, WRO was committed mainly to present audiovisual creations in video and computer arts, installations, performances and various mixed-media activities. Later on, since 1993 and already functioning as a biennale, apart from the audiovisual topics it explores also new strategies and territories of digital artistic communication. Globalica, the watchword of the last WRO Biennale that took place in May 2003, expresses an encouragement for an artistic play with global culture of the society of the spectacle. It puts forward a question about an artist's role in the face of intermingling high and popular culture; global and local; commercial and independent.
DRIFT programme
curated by Iliyana Nedkova | GB,
A programme of shorts by UK artists and film-makers which reveal the cinematic relationships between sound and image. The films play with our aural perceptions, featuring along the way bursts of sound art, noise, experimental music, field recordings, urban and rural soundscapes. DRIFT is an ongoing exploration of sound art and experimental music, including radio broadcasts, moving image, publications and occasional live events. Initiated and produced by New Media Scotland, Edinburgh. Supported by the Edinburgh International Film Festival, and Lux, London. Funded by the Scottish Arts Council and Daniel Langlois Foundation for Art, Science and Technology. Susan Black: American Classic 2001, 02:50
Crossing Over Time'Selecting the works which form Crossing Over Time was both an enjoyable and difficult task. It’s unusual to attempt to encapsulate and present the curatorial vision of others. First, there was the problem of how to represent six years of creative activity by showing less than half the short films produced. Then choosing between different artists’ works. In the end it came down to subjectivity: the likes and dislikes of an individual. As each Crossing Over residency took as its starting point a strong thematic, I was initially concerned that one programme would not naturally ‘emerge’ from the assembled films. I needn’t have worried. Many of the works share something in common, which is a questioning of the given order of things, often expressed through the journey as metaphor for transformation. This is not metaphysics: it’s a reality not only for many of the artists who live and work far from their countries of origin, but also for the two women who have guided Crossing Over from East to West [...] Crossing Over Time brings to the fore voices and messages different from those we are used to hearing, a reminder not only that Europe is host to many cultures, but that film-making can express complex ideas and celebrate diversity. Many of the films here challenge our assumptions of ‘Western’ culture: which too often defines the non-Western as ‘other’. A valid response to exclusion from the mainstream, as Dusan Bjelic has noted, is ‘a politics of signification’2, the attempt to define distinct yet diverse identities in opposition to those which are dominant. The Crossing Over initiative is one attempt to help redress the balance, encouraging dialogue and collaboration between cultures, but also an opportunity to communicate difference. As the global cultures of late Capitalism become increasingly homogenous, alternatives to the mainstream provide important strategies for resistance.' Chris Byrne, 2003 Antal Bodozcky: If, so... HU, 1998 Lala Raščić: 17 Stories HR, 2001 |