2004, special

Live search

Use commas to separate multiple keywords.

( total items: 6 )



Works of students from the Academy of Arts in Novi Sad

Animation and Visual Effects Department, 31 min. | RS, 2004


Dina Stipić, Endre Ajandi: Coraline

Dina Stipić, Endre Ajandi: Coraline 2004, RS, 01:00
Viktorija Čikoš: Enchanted 2004, RS, 01:29
Bojan Cvetković: Maja 2004, RS, 10:41


Saša Ilić: Master

Saša Ilić: Master 2004, RS, 03:00
Milan Kaćanski & Team: Milan Kaćanski za predsednika 2004, RS, 05:00
Mina Cvetinović, Vladimir Veselinović: holy grail 2004, RS, 03:10


Miloš Pušić: Tag

Miloš Pušić: Tag 2004, RS, 07:35
Vladimir Mijatović: Deconstructing the Web 2004, RS, 01:13
Vlada Strajnić: 'O' 2004, RS, 0:57


Mirko Žarković: Intro 01

Mirko Žarković: Intro 01 2004, RS, 00:20
Dejan Šolajić: Buđenje 2004, RS, 00:20
Svetlana Vuković: Ispit 2004, RS, 02:53


Živa Stanojević: Colt Play

Živa Stanojević: Colt Play 2004, RS, 00:20
Stoleski, Stojšin, Komnenović: Stoleski za predsednika 2004, RS, 00:51
V. Vukmirović, Ž. Lazić, V. Trifu, E. Lajko-Mesaroš: Mc Lazić za predsednika 2004, RS, 01:11


Vladimir Ivaz: Election place

Vladimir Ivaz: Election place 2004, RS, 07:57
Dragan Kojić: Primuss 2004, RS, 01:50






WRO 03 Globalica

The selection of video art works from the agenda of the 10th International Media Art Biennale WRO 03. | PL,

WRO International Media Art Biennale is a major manifestation of new media art in Poland and Central Europe. Since its first edition in 1989 WRO has been representing art heading away from mass culture towards dis-massed one created by contemporary means of artistic creation and communication. Initially as Sound Basis Visual Art Festival, WRO was committed mainly to present audiovisual creations in video and computer arts, installations, performances and various mixed-media activities. Later on, since 1993 and already functioning as a biennale, apart from the audiovisual topics it explores also new strategies and territories of digital artistic communication. Globalica, the watchword of the last WRO Biennale that took place in May 2003, expresses an encouragement for an artistic play with global culture of the society of the spectacle. It puts forward a question about an artist's role in the face of intermingling high and popular culture; global and local; commercial and independent.


Gert Hatsukov: A Ritual Gert Hatsukov 02:49, Color, Mono, camera: US Navy archive, soundtrack: Beastbeats, G. Hatsukov, EE, 2002
Benny Nemerofsky Ramsay: I am a Boyband Benny Nemerofsky Ramsay 05:30, Color, Stereo, CA, 2002
Aleksandra Went, Alicja Karska: Organization and design of space Aleksandra Went, Alicja Karska 09:00, Color, Stereo, PL, 2002
Juan Romero: Places Without Engine Juan Romero 07:30, Color, Stereo, ES, 2002
Gameboyzz Orchestra Project: live at WRO 03 Gameboyzz Orchestra 01:41, Color, Stereo, PL, 2003
Dietmar Offenhuber: besenbahn Dietmar Offenhuber 10:00, Color, Stereo, AT, 2001
Jan Poppenhagen: To box Jan Poppenhagen 09:30, Color, Stereo, DE, 2003
Pierre Yves Cruaud: Le Silence est en Marche Pierre Yves Cruaud 03:30, Color, Stereo, FR, 2001
Daniel Zduńczyk: May 1st Daniel Zduńczyk 01:00, Color, Stereo, PL, 2002
Jean Marc Duchenne, Bertrand Merlier: 4 Hands, live at WRO 03 Bertrand Merlier, Jean Marc Duchenne 03:00, Color, Stereo, FR, 2003
Dan Boord, Luis Valdovino: Cocteau Cento Dan Boord, Luis Valdovino 05:49, B/W, Stereo, soundtrack: Thomas Wells, US, 2003
Józef Robakowski: Mechanical Cameraman Józef Robakowski 05:00, Color, Stereo, PL, 2002
Igor Krenz: Things Igor Krenz 04:30, Color, Stereo, PL, 2003
Stephen Connolly: The Reading Room Stephen Connolly 02:58, Color, Silent, GB, 2002
Riichiro Mashima: Ski Jumping Pairs Riichiro Mashima 05:34, Color, Stereo, JP, 2002


DRIFT programme

curated by Iliyana Nedkova | GB,

A programme of shorts by UK artists and film-makers which reveal the cinematic relationships between sound and image. The films play with our aural perceptions, featuring along the way bursts of sound art, noise, experimental music, field recordings, urban and rural soundscapes. DRIFT is an ongoing exploration of sound art and experimental music, including radio broadcasts, moving image, publications and occasional live events. Initiated and produced by New Media Scotland, Edinburgh. Supported by the Edinburgh International Film Festival, and Lux, London. Funded by the Scottish Arts Council and Daniel Langlois Foundation for Art, Science and Technology.


Susan Black: American Classic

Susan Black: American Classic 2001, 02:50
Chris Bowman: River/Sundown/02.03 2003, 06:35
Susanne Ramsenthaler: Mirage 2003, 02:00
Kelly Richardson: The Sequel 2003, 01:10
Paddy Kernohan: Boundary/Agency 2002, 03:22
Richard Ashrowan, Alexander Hamilton, Shannon Tofts: The Windmills of Innerleithen 2004, 07:45
Simon Tricker: Berg 2003, 04:40
Peter Collis: Exposure 2003, 05:00
Emily Richardson: Nocturne 2002, 04:00
Holger Mohaupt: 128 Megabytes Germany 2003, 05:48
Victoria Clare Bernie: The Cinematic Garden (extract) 2003, 05:30
Ian Helliwell: Crosshatch 2003, 07:25
Butler Brothers: Zerotime 2002, 03:00
Rob Kennedy and diskono: You’re not Blank 2002, 02:26
Jayne Parker: 59 1/2 Seconds for a String Player. Versions 1-3 2000, 03:30
Aura Satz: Ventriloqua 2003, 3:00
John Carson: American Medley 1985, 11:00
Michelle Deignan: Audience 2003, 01:30




Crossing Over Time

'Selecting the works which form Crossing Over Time was both an enjoyable and difficult task. It’s unusual to attempt to encapsulate and present the curatorial vision of others. First, there was the problem of how to represent six years of creative activity by showing less than half the short films produced. Then choosing between different artists’ works. In the end it came down to subjectivity: the likes and dislikes of an individual. As each Crossing Over residency took as its starting point a strong thematic, I was initially concerned that one programme would not naturally ‘emerge’ from the assembled films. I needn’t have worried. Many of the works share something in common, which is a questioning of the given order of things, often expressed through the journey as metaphor for transformation. This is not metaphysics: it’s a reality not only for many of the artists who live and work far from their countries of origin, but also for the two women who have guided Crossing Over from East to West [...] Crossing Over Time brings to the fore voices and messages different from those we are used to hearing, a reminder not only that Europe is host to many cultures, but that film-making can express complex ideas and celebrate diversity. Many of the films here challenge our assumptions of ‘Western’ culture: which too often defines the non-Western as ‘other’. A valid response to exclusion from the mainstream, as Dusan Bjelic has noted, is ‘a politics of signification’2, the attempt to define distinct yet diverse identities in opposition to those which are dominant. The Crossing Over initiative is one attempt to help redress the balance, encouraging dialogue and collaboration between cultures, but also an opportunity to communicate difference. As the global cultures of late Capitalism become increasingly homogenous, alternatives to the mainstream provide important strategies for resistance.' Chris Byrne, 2003


New Media Scotland

Antal Bodozcky: If, so... HU, 1998
Herb E. Smith: Coal is Black, and Sometimes Red US, 2000
Krassimir Terziev: In Search of… BG, 1997
Aleksandar Battista Ilic: Egoeast 3 HR, 2000
Dimitrina Sevova: Three Short Videoportraits BG, 1999
Antal Bodozcky: Teatime HU, 1999
Paul Rooney: Good Morning Call GB, 2001
Baza: 422008@lite RS, 1999
Boryana Dragoeva: Celebrating the Next Twinkling BG, 1999
Phil Collins: Romance. The Commercial GB, 2001
Gaspar Csongor: Postcard I RO, 2000
Gaspar Csongor: Postcard II RO, 2000


Lala Raščić: 17 Stories

Lala Raščić: 17 Stories HR, 2001
Susan B. Halpern: Fall US, 2000
Tsvetelina Gancheva: Virgin BG, 1997
Barbara Konopka: Binary Notes PL, 1998
Maria Natasha Stukoff: Frozen 0% CH/GB, 1999
Ivan Mudov: Simon Says… BG, 1997
Mare Tralla: Felt Boots EE, 2000
Chris Speed: Places of Difference GB, 2001
Avril Gillan: Crossing Mary IE, 1998
Levente Sipos: Tele-browsing HU, 2001
Mike Kash: Remember the Hill US, 2000