Supported by:User login |
screening, independent exposure 2008Live search( total items: 7 ) Capital T. Meijdam, B. Zsigmond: Capital An impression of the enormous amount of visual stimuli that we are harassed by every day. The amount is so big that its commercial effectiveness has become utterly dubious. The Raftman's RazorSpecial MentionNarrative structure of Raftman’s Razor (Keith Bearden) touched us with its naive sophistication. We recognized the central void of the comic structure and the final adolescent disillusion. It was not without its own underlying horrors and was executed with impeccable technique.  K. Bearden: The Raftman's Razor I love you. Really. I feel like I've known you my whole life. Tralala (director's cut) M. Charrier: Tralala (director's cut) A poetic reflection on innocence, Tralala is a mix of a dance film, a performance, a poem and an animated film. This pure jewel draws the tender and metaphoric portrait of three women/child in total immersion evolving in an enchanted chalk drawn aquarium. A fairy tale. Bowled Over Sietske Tjallingii: Bowled Over An homage to the Coen brothers turns into a real bowl-o-drama. Kino Armel Hostiou: Kino An experimental, live-action, stop-motion animated celebration of the cinema. Power Up Sverre Fredriksen: Power Up Power Up is an animated short film created with stencils, spray paint and a super-8 film camera. It presents a critical view of today’s politics through animated stencil graffiti and a twist on classic video games. |
