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APSOLUTNO

The association APSOLUTNO was founded in 1993 in Novi Sad, Yugoslavia. The production of the association is created through collaboration of its four members (Zoran Pantelic, Dragan Rakic, Bojana Petric and Dragan Miletic from 1995 till 2001). Since 1995 the works have been signed APSOLUTNO, without any reference to personal names.
The production of APSOLUTNO started in the field of fine arts. Gradually, it has developed to include not only aesthetic, but also cultural, social and political aspects. The work of APSOLUTNO is based on an interdisciplinary research into reality, with the aim to make it open to new readings.
The choice of medium is a very important part of the creative process, as APSOLUTNO regards the medium as an equally relevant element of the work. APSOLUTNO is a collective of three members, dealing with interdisciplinary art work and media pluralism.
http://apsolutno.org



In the Balkans

APSOLUTNO 0002 | 02:30, B/W, Stereo | RS, 1998

This video presents a view of the Balkans from the outside of this region. The material for this video was shot at the Black Sea, in Bulgaria, in SECAM system. It was then edited on NTSC based AVID system in the U.S. without transferring. The result is a black and white stretched image, rich in glitches and noise caused by the manipulation with an incompatible source. The NTSC master copy was then transferred into PAL and brought back to the Balkans… In this video association APSOLUTNO presents the view of the Balkans from the outside as a view which is not direct, but rather mediated through a filter of technology, and media representations based on various assumptions. Through these filters the Balkans is presented as something IN BULK, a distant black and white mass, without a structure or organization. The image is hardly readable as it lacks clarity.



ABSOLUTELY DEAD

APSOLUTNO 0005 | 07:00, Color, Stereo | RS, 1995
APSOLUTNO: ABSOLUTELY  DEAD

APSOLUTNO: ABSOLUTELY DEAD

The video is a pseudo-documentary of a pseudo-investigation into a death case. The victims are two half-built and abandoned trans-oceanic liners, left at the shipyard in Novi Sad, Yugoslavia, between the 1,258th and 1,259th kilometer of the Danube. The video features the members of APSOLUTNO as detectives who undertake a detailed investigation into the condition of the ships: the interior of the ships is examined thoroughly, while textual details about the ships appear on the yellow emergency ribbon on the screen. The final conclusion is that it is impossible to state any causes of the death of the ships with certainty and that this is a case of absolute death.
In this video, APSOLUTNO uses the evident condition of the ships as a metaphor for a particular social environment at a particular time.





APSOLUTNO VIDEO PRODUCTION 1995 - 2000

presented by Zoran Pantelić

The association APSOLUTNO was founded in 1993 in Novi Sad, Yugoslavia. The production of the association is created through collaboration of its four members (Zoran Pantelic, Dragan Rakic, Bojana Petric and Dragan Miletic from 1995 till 2001).


APSOLUTNO: GOOD EVENING APSOLUTNO APSOLUTNO 0004 | 08:00, Color, Stereo, RS, 1996
APSOLUTNO APSOLUTNO 0002 | 02:30, B/W, Stereo, RS, 1998
APSOLUTNO: SERBEIKO APSOLUTNO APSOLUTNO 0000 | video installation/documentation, RS, 2000
APSOLUTNO: ABSOLUTELY  DEAD APSOLUTNO APSOLUTNO 0005 | 07:00, Color, Stereo, RS, 1995

GOOD EVENING

APSOLUTNO 0004 | 08:00, Color, Stereo | RS, 1996
APSOLUTNO: GOOD EVENING

APSOLUTNO: GOOD EVENING

This video refers to the 'evening' of the millennium and the impact of the media on the experience of reality - questioning the way the media present information as fact. The video adopts the recognizable framework of TV news by utilising the first two words news presenters utter when addressing viewers. Transmissions from the TV channels of various countries, involving numerous languages, were appropriated.



SERBEIKO

APSOLUTNO 0000 | video installation/documentation | RS, 2000
APSOLUTNO: SERBEIKO

APSOLUTNO: SERBEIKO

SERBEIKO is a video installation which represents a strong association of reading of times. It is an authentic interpretation of social circumstances in Yugoslavia/Serbia. At the same time this video installation emphasizes an ironic perspective on the absolutely exact (Serbian) time. As a direct associative connection of the precise control of time, the well known logotype of the famous Japanese company SEIKO was taken as a basic platform for the name of the installation. The name SEIKO was visually transformed into SERBEIKO - this enabled perseverance of the sound association of the title of the installation in relation to the original sample. As a metaphor of an absolutely real fact (arf), in this video installation computer and graphic animation of the clock-image taken from the state television broadcasting - RTS (Radio Television of Serbia) is used.