Jan Verbeek was born 1966 in Bonn, Germany. From 1987 to 1989 he studied Art History, Literature and Communication Research at Bonn University.

	Jan Verbeek Bright Future Ahead audio-visual installation with four synchronised projections; documentation: 07:00 + 16:35 split screen, JP, DE, 2006	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek tonight 00:30, Color, Silent, PL, DE, 2001	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Interferenz 07:42, Color, Stereo, DE, 1990	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek OSMOTIC 03:00, Color, Stereo, KR, DE, 2006	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Exercise 01:43, Color, Stereo, JP, DE, 2007	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Local Ride 02:12, Color, Stereo, DE, 1994	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Skip and Return 00:27, Color, Stereo, DE, 2001	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek On a Wednesday Night in Tokyo 05:35, Color, Stereo, JP, DE, 2004	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Open Sky 01:19, Color, Stereo, DE, 2003	2008 → Introducing the artist, Jan Verbeek
	Jan Verbeek Continuum 05:45, Color, Stereo, DE, 1991	2008 → Introducing the artist, Jan Verbeek

Jan Verbeek: Exercise

Through the eyes and reactions of a judge the video observes a tournament of young martial artists. The indications of the judge interfere with the transmission by the medium.

Jan Verbeek: Osmotic

A young parking garage attendant with hat and trench coat and long arms conducts the cars to the one or other exit. The precise operation appears like the choreography of a powerful dance. The character of images and the musical composition annihilate boundaries, outside world and inner world merge.

Jan Verbeek: Open Sky

A meadow. Two children are building a house. Light and noise is coming from the open sky. The children act like dancers. On their terrace they reach, unprotectedly and happy, the end of the world.

Jan Verbeek: Continuum

'Go on!' Buddha’s last words.
Without commentary, the video presents an everyday means of transportation in movement. The particular images and sounds and the polarizing editing make this technical, ceaselessly running object an increasingly associative metaphor; it acquires the character of a living creature, trapped in its system.