Supported by:Prijava |
2005, special→ awards : jury : media installations : screening : special : Death in Dallas : Entre-Deux : Introducing the Artist, Anouk de Clercq 2009 : 2008 : 2007 : 2006 : 2005 : 2004 Live search( total items: 7 )
microscope session DVD 2.0 – new cooperations in sound and visualsThe Trans-Media-Akademie Hellerau in cooperation with DS-X.org is the organiser of a series of events entitled 'microscope session'. With the Festspielhaus Hellerau as its venue the 'microscope session' experiments with forms of synaesthetic perception in audio-visual presentations. It serves the contemporary desire for synaesthetic perception. The result of four years work is now compiled in the storage device of a DVD. All those who participated in the events so far were invited to contribute a clip to the DVD. It is a dream dreamt for a long time – and not only by artists – to be able to see sounds as images and hear images as sounds. The 'alchemists of the electronic arts' or the 'modellers of the audio-visionary' are the creative and cultural forerunners who develop media in order to work with them artistically. Since the real experience of audio-visual concerts cannot be reproduced when using the medium of a DVD, a collection of most diverse approaches and aesthetics emerged from the connection of sound and visual material. Thus, the works at hand generally presuppose their reception via monitor and PA. In fact, they are audio-visual psychotechniques for the solitary or shared use in the couch environment of a common living room, in the chill out section or, when travelling, on the laptop. They are exclusive works by authors whose backgrounds range from professional art work and graphic design to spare time handicrafts. As such, the pieces represent the state of the art of a screen-oriented audio-visual culture. The interfaces of club and museum, party and work of art, aesthetics and economy, science and life are the contexts in which VJs act. The examples [OSZO 1]TM by Ritchie Riediger or the video processing HUMAsystem by HUMATIC (applied in PERSON’s Person In Mekanik Wunderland) show how today’s technical innovations may be placed both in the field of art and in the market of entertainment industry. The 'electronic alchemist' thus works in the zone in between artistic approach and commercial interest. Daisshuke Ishida, Kloma: the vascular system of, if you are still alive Enzym, Tobias Peier: abschnittsbevollmächtigter Mille and Mr. Hirsch, Ritchie Riediger: [oszo 1]tm
Video AnthologyFrom the Electronic Arts Intermix collection. Charlotte Moorman, Nam June Paik: Rare Performance Documents 1961-1994 Volume 1: Paik-Moorman Collaborations compiled 2000, 25:08, B&W and Color, Sound Vito Acconci: Theme Song 1973, 33:15, B&W, Sound
Introducing the Artist, Anouk de ClercqAnouk de Clercq (°1971) studied notation and piano at the musicschool in Ghent and film at the Sint-Lukas Art Academy in Brussels.
Entre-DeuxA program on the seductive powers that rule our emotional thoughts and the destructive behaviour they evoke, on the longing for self-determining dependence, on the ongoing search for meaning and understanding in our liaisons with the other(s).
Made in Serbia 2005Annual selection of Serbian artists, presents recent local production and consists of new videos by young artists and students as well as the other works that for any reason didn't fit to competition screening. Nevena Popović: Karambol 04:01, RS, 2004 Valeria Prieto, Javier Ventura: Henpecked 03:05, MX, 2004 Gabriela Vasić: V.I.P. - V.I.C. 01:58, RS, 2005 |