The Intruder 07:26, Color, Stereo, BE, 2005
Ouagadougou, Burkina Faso. Meessens’ ‘document brut’ records his actions in the busy streets of the African capital with a candid camera. Dressed and masked in a cotton tuft costume he silently moves between the crowds. The reactions soon follow: the white man as a strange, primitive apparition is faced with indifference, mockery and amazement. His use of Burkinabese ‘white gold’ as a garment turns the public space into a magnetic field, charged with poetry based on unspoken symbolical, political and economic meanings.