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Kurt d’Haeseleer

09:00, Color, Stereo
In Fossilization video is used as a kneading machine. Layers of images are moulded into a sticky mess that absorbs and attracts everything it touches. It’s an apocalyptic endgame starring several cars, some human remains and maybe even some wishful thinking of on a moody, rainy day. A hermetic meditation on the happy decay of Western civilization it blends oil addiction, social segregation, speed, mass tourism and mass media into a dirty pixel cocktail with a sour aftertaste.