Sebastian Diaz Morales
Insight, 12:00, Color, Stereo, Argentina, 2012,
For it’s precise formal investigation of the shooting process with a twist, not relaying on overused digital effects, revealing what is on the other side of the lens, the jury awards an honorable mention to “Insight” by Sebastian Diaz Morales.
We look at a film crew; the film crew is watching us. Cinema as a mirror of reality that becomes fiction. Or is it vice versa? A world with a mirror image, one that can be accessed by crossing the mirror’s surface.